Tag: whats on

Film ReVue: Steve Jobs

Vue Cinema’s Gary Prior shares his thoughts on Danny Boyle’s big-screen character study of the man himself, Steve Jobs…

“How come, ten times in a day, I read ‘Steve Jobs is a genius’? What do you do?”

Based on the book by Walter Isaacson, Director Danny Boyle and Screenwriter Aaron Sorkin bring an interesting, dialogue-driven movie that explores Apple’s co-founder, visionary and entrepreneur: Steve Jobs.

Beginning in 1984 and concluding in 1998, the film is set around three major product launches (Apple Macintosh, the NeXT Computer, and the iMac), and takes us behind the scenes to hear conversations held by Steve Jobs, and focuses on the relationships with his daughter and key Apple figures, including co-founder Steve Wozniak (Seth Rogen).

 

The interesting thing about Steve Jobs is that it doesn’t follow the standard biopic formula. Most would follow the ‘greatest hits’ of the subject’s life, but this steers clear of the obvious milestones, and instead focuses on a look at how Jobs’ mind worked. In that sense, it’s less a biopic and more of a character study.

Every actor brings their A-game to this movie. Starting from the top, Michael Fassbender as Jobs himself doesn’t disappoint, and the role perfectly highlights his versatility as an actor. You really get a feel for how passionate Jobs was about the technology he was attached to, and how indifferent he was to the opinions of those he worked with.

With supporting roles from Kate Winslet, Seth Rogen, Jeff Daniels, Katherine Waterston and Michael Stuhlbarg, the film feels like a masterclass in acting. It’s not surprising that there’s Oscar buzz.

Even though Steve Jobs is dialogue based, it deserves credit for how much pace and energy it has. A dialogue heavy movie can often be hard work to sit through, but thanks to the brilliant writing of Sorkin, noted for The West Wing and The Social Network, and the directing style of Boyle – Slumdog Millionaire, 28 Days Later – this holds up as exciting throughout. The confidence they had to bring this version of Jobs to the screen should be applauded, and not unfairly criticised for not sticking to the traditional biopic formula.

 

Famous for his unique writing style, Sorkin employs his usual intense and emotional dialogue, while retaining with and a very real human element. Meanwhile, Boyle shoots each of the three product launches in different formats (16mm, 35mm, and digital), making it feels as though we’re moving closer to Jobs’ final technological vision with each passing scene.

It’s a shame this movie hasn’t received much commercial success or positive feedback in the US, but if you’re even mildly curious in the man behind our beloved Apple products, it’s worth checking out before it’s off the big screen.

Our Steve Jobs review was written by Vue Cinema’s Gary Prior. For more information on the latest cinema releases, or to book tickets, visit www.myvue.com.

Click here to book tickets for Steve Jobs.

Wynyard Hall Farm Shop To Host Christmas Shopping Evenings

Shoppers can snap up some last minute Christmas gifts and festive fare at two special events being held by the North East’s newest attraction this month…

Following the success of its annual Christmas fayre, Wynyard Hall Hotel, Tees valley, is hosting festive shopping evenings, on Thursday 10th and 17th December, at its recently opened Walled Garden farm shop.

And, along with the chance to purchase some of the finest locally sourced gifts and ingredients, visitors will be given special price discounts at each event.

A glass of Prosecco will be served to each visitor on arrival and they will also be able to sample some of the food lines on sale at the farm shop, overlooking the multi-million pound rose garden.

“I have personally selected – and sampled – every food item on sale in the farm shop,” said Wynyard Hall’s Managing Director Allison Antonopoulos.

“And, as it is of the utmost importance to me to showcase local suppliers, we have some fabulous lines, from the likes of Norton-based Blackwells Butchers, the Acorn Dairy, near Darlington and Proof of the Pudding, Northumberland.

“There are also dressings and condiments from Great Taste award-winners Wildon Grange, County Durham, real ales from the Black Paw Brewery, at Bishop Auckland and vintage sweets, courtesy of Hartlepool-based Carnaby’s Treats.”

Shoppers can also choose from a wide range of gardening items, Christmas decorations, handmade cards and gifts and seasonal homeware, including cushions, throws and scarves by Yorkshire-based Bronte by Moon, one of the UK’s few remaining woollen mills. 

The festive shopping evenings will take place between 6pm and 8pm. Attendance is free, but those who pre-register at www.wynyardhall.co.uk/events will receive a voucher entitling them to a 10 per cent discount on purchases of £40 or over.

Theatrical Spectacle STOMP Returns To Newcastle

Fresher, faster and funnier than ever, the multi-award winning theatrical spectacle STOMP is set to make a return to Newcastle Theatre Royal for the first time in 15 years, and will be touching down for one week only…

A unique combination of percussion, dance and comedy, Stomp is a stage spectacle in a genre of its own. Everyday objects like dustbin lids, matchboxes, brooms, cigarette lighters are transformed into musical instruments and props, and the cast command the stage with an unprecedented energy and rhythm as they ‘play’ them.

Now entering its 23rd year, this smash hit show has entertained over 15 million people across 50 countries worldwide; featured in a range of commercials, film soundtracks and TV collaborations and won multiple awards including an Obie, a Drama Desk Award and an Olivier.

The show was born in Brighton, UK, in the summer of 1991 as the result of a ten year collaboration between street theatre artists Luke Cresswell and Steve McNicholas.  From acclaimed performances at the Edinburgh Fringe to large outdoor events, the legend of Stomp grew in ambition and scope, gaining legions of fans along the way and becoming the theatrical sensation it is today.

Since their last visit to Newcastle in 2000, the Stomp cast have performed in the closing ceremony at the 2012 Olympics, and have introduced two new pieces to the show: Frogs and Trolleys.

Trolleys taps into the everyday experience of negotiating a busy shopping aisle with a fully laden supermarket trolley, but soon transforms into the closest the show will ever get to drum corps. It is also the first fully fledged Stomp routine to be performed entirely in 5/4 time signature.

Frogs explores the bizarre sonic possibilities of a variety of plumbing fixtures! It has to be heard to be believed, but close your eyes and this piece sounds unlike anything ever heard in the show till now. Organic, quirky and plumbing new heights.

Creators Luke Cresswell and Steve McNicholas are both very happy with the way the new pieces have slotted in, each with Stomp‘s trademark exploration of sound, movement and physical humour. There’s more to come, too; they will be working on more new routines later this year.

Still remaining is Stomp’s signature high-octane meeting of slick choreography, tight ensemble work, industrial percussion and a narrative of anarchic clowning, as the irrepressible troupe of eight turn brooms into soft shoe partners, clapping into intricate conversations and water cooler bottles into sophisticated instruments. A row of folding chairs are straddled, slid, slammed and slapped into rhythmic submission. It is at once primal and urbane, leaving no percussive potential – of object, body or action – unexploited. And all underpinned by a childish delight in making serious noise.

The whole show hurtles towards a brilliantly reworked climax – a showstopper in every sense – as a crackling carnival of leaping, spinning, skidding and pounding performers vent their inexhaustible energies on an unsuspecting orchestra of metal dustbins, bin lids, tubs and water butts. Joyous, thumping, exhilarating bliss for all involved… except the bins!

Stomp is produced by Glynis Henderson Productions & Stomp Productions.

Stomp comes to Newcastle Theatre Royal Monday 15th – Saturday 20th February 2016 to celebrate over 20 astonishing years of foot stamping, finger drumming, and adrenalin rushing joy across the globe. It plays evenings at 7.30pm, matinees on Thursday 2pm and Saturday 2.30pm. Tickets from £13.00. Tickets can be purchased online at www.theatreroyal.co.uk or from the Theatre Royal Box Office on 08448 11 21 21 (Calls cost 7ppm plus your phone company’s access charge).

Win! Tickets To See T.Rextasy’s 40th Anniversary Tour

The definitive glam rockers are back on tour, and they’re coming this way…

Marc Bolan, with his band T.Rex, was one of the most flamboyant and charismatic stars of the 1970s. With Bolan’s special mix of Rock-a-Boogie and Rock ‘n’ Roll songs, including classics such as Telegram Sam, Get It On and Jeepster, the band defined what would be known as the original glam rock era.

And now, they’re heading to the North East… sort of.

T.Rextasy is the world’s only official T.Rex tribute band, an accolade endorsed by Marc Bolan’s family, estate, catalogue management, and members of the original band. T.Rextasy have been performing around the world for over twenty years – a career that ironically outlives Marc’s own – and have been described as ‘beyond the boundaries of tribute’.

“They’re the closest you’re ever going to get to the real thing” – Bill Legend, (original T.Rex drummer)

“Danielz is more than a career lookalike. Here we have a serious guitarist with the animal grace of early Bolan and the clear unequivocal love of the music” – The Stage

 

On Friday 22nd January 2016, T.Rextasy will be performing at the Forum Theatre in Billingham. The concert is a part of their ‘I Love To Boogie’ anniversary tour, and if you’d like to know exactly what a Marc Bolan concert was like forty years ago, we recommend you enter our competition below.

We’re giving away two tickets to their Billingham concert, and all you need to do is the question below…

What is Marc Bolan’s real name?

Competition closed. Congratulations to Rebecca Kamsika from Middlesbrough!

Film ReVue: The Good Dinosaur

Vue Cinema’s Ivan Davison shares his thoughts on Pixar’s pre-historic family offering…

With its latest animated film, Pixar has continued their winning format. It’s one that combines staggeringly impressive CGI visuals, family friendly humour, and a heartfelt coming-of-age story for all ages to enjoy.

Following on the heels of one of this summer’s biggest blockbusters, Jurassic World, Pixar has dipped its toes into the world of prehistoric creatures. After setting the bar (extremely) high with July’s Inside Out, the team behind The Good Dinosaur have crafted a story that’s simpler than its predecessor, but no less enjoyable.

The film is set in an alternate timeline, in which the fateful meteor has missed earth completely, leaving the dinosaurs to roam free. Skip ahead a few million years, and we meet Arlo, an Apatosaur, who lives with his family on a mountain range farm.

Arlo, the smallest of his three siblings, struggles to find his place in the family’s dynamic, but finds an unlikely friendship with a young caveboy. What follows is a fast paced, but heartwarming tale of mutual dependance, complimented by vast and stunning landscapes.

 

A cast of loveable and memorable characters is brought to life by some terrific voice performances, the highlight being Sam Elliot’s role as father to a group of Tyrannosaurus Rex’s. His grizzled cowboy twang lends itself perfectly to the role, and one of the film’s most heart-wrenching moments comes as he shares his own sombre tale.

But The Good Dinosaur’s greatest strength comes from its stunning visuals. The world on screen is rendered in such a photo-realistic way that it becomes hard to comprehend just how far Pixar’s technologies have come since they first captured our imaginations with Toy Story. The landscape is enormous, and even a host of dinosaurs appear small and out of their element in such fully-formed openness.

While not as complex a concept as Inside Out, The Good Dinosaur sees Pixar still on fine form, and uses its simplicity to tell a story of friendship, family, adventure and loss that we can all relate to.

As is common with Pixar’s releases, a short animated film plays before the main feature, and this time we’re treated to Sanjay’s Super Team. I recommend heading to the cinema early to catch it. Although very different from Pixar’s usual output, it’s perhaps one of the most personal and original Pixar shorts we’ve ever seen.


Our The Good Dinosaur review was written by Vue Cinema’s Ivan Davison. For more information on the latest cinema releases, or to book tickets, visit www.myvue.com.

Click here to book tickets for The Good Dinosaur.


[cwa id=’test’]

Lumley Castle Invites Wild Food Foragers To Their Grounds

A North East castle, famous for its restaurant, is giving foodies the chance to forage for ingredients in its historic grounds…

The ancient woodland surrounding 600-year-old Lumley Castle hotel is home to a wide variety of wild ingredients, from garlic and herbs to edible roots and berries.

The four star hotel, at Chester-le-Street, has joined forces with foraging experts to give nature lovers and foodies the chance to learn more about ‘wild food’, at a series of special events in 2016.

On selected dates throughout the year, it will be giving groups of around twenty visitors the chance to explore its nine acres of woodland in the company of bush craft and survival expert Bruce Ferguson, of Wild North Discovery.

Not only will he teach them to seek out and identify wild ingredients during a one and a half hour walk, but chefs from the hotel’s renowned Black Knight restaurant will then serve lunch, incorporating the foraged food.

Between courses, Bruce, who has been foraging for wild food for more than thirty years and recently took actor and presenter Robson Green seashore foraging for an upcoming episode of hit TV show, Tales from Northumberland, will give a talk about safe, legal and sustainable foraging.

He will also be talking about food to look out for later in the year that may not yet be in season and the various types of location at which wild food can be found.

Brice said: “The fascinating thing about Lumley Castle is that parts of its grounds have lain relatively undisturbed and uncultivated for a very long time, which makes them a treasure trove for foragers.

“There is huge interest in wild food at present, however not all berries, roots and leaves are safe to eat, which is why courses such as these are so important.”

Along with the public courses, Lumley Castle is giving corporate clients the chance to find out more about foraging by offering them the option to build a short course with Bruce into their team-building or conference and event packages.

“While corporate and leisure visitors are always impressed by the castle itself, its grounds have gone largely unexplored,” said Director of Sales and Marketing, Nola Collinson, “which is why they provide such an abundant harvest of wild ingredients.

“With Bruce’s expertise, we hope to help visitors find out a little more about foraged food and introduce them to our lovely grounds at the same time.”

The Foraging at Lumley days are scheduled for Sunday 22nd May and 2nd October, with more dates to follow. Places, which are limited, cost £29.50, and include lunch.

For further information call 0191 389 5857 or email info@lumleycastle.com.


[cwa id=’test’]

Northern Students To Showcase Work In Support Of Refugees

Students from across Northern England are being given the chance to showcase their work before two leading figures in international media, as part of a unique fundraising event…

On January 29th, the University of York’s Central Hall will be hosting a charity fashion show featuring the designs of young people from a number of regional colleges and universities.

The Northern Youth Fashion Show, in aid of two refugee charities, will be attended by Katharine Viner, Editor-in-Chief of The Guardian, and Anna Wintour, Editor-in-Chief of American Vogue and Artistic Director of Condé Nast.

The event has been organised by HARD Magazine, a fashion publication at the University of York, and will not only showcase the designs of students from universities across the region, but will also raise vital funds to support refugees.

Students from the University of York, the University of Sunderland, Leeds College of Art, Newcastle College, Hull College, the University of Central Lancashire, Liverpool John Moores University, and Leeds Beckett University will all be taking part.

It will also include a talk with Ms. Wintour, followed by a question and answer session led by Ms. Viner.

Proceeds from The Northern Youth Fashion Show will be split between the Xavier Project, which runs schools, creates jobs, and offers mentoring schemes to some of the biggest refugee communities in the world and Refugee Action York, which plays a pivotal role in integrating refugees in the local area.

We wanted to host an event that would highlight the creative talent of students and support the community by fundraising for local charities,” said Ellie Wintour, one of the event organisers.

“It’s fantastic to have Anna and Katharine on board to help make it a success. We are pleased with the positive response we’ve had so far. It’s going to be a night to remember.”

The event is being sponsored by train company Grand Central, and a spokesman said they were delighted to be on board.

“At Grand Central, we take pride in supporting young people – whether that is through hosting art competitions for emerging talent or by making student travel experience more enjoyable through our free Wi-Fi offer, and affordable with our unique discount,” he said.

“The Northern Youth Show is an opportunity for us to once again demonstrate our commitment to young people, as well as their colleges and universities that are based along our routes.”

Tickets for the event cost £30 (or £15 for students) and are available at http://www.yusu.org/tickets. A champagne reception and live music performances are included in the evening’s programme.

A “Ticket And A Tin” option is also available, with tickets priced at £10, but purchasers must include the donation of a tin of food to go to a York foodbank.

The evening will also include a champagne reception and live music performances.


[cwa id=’test’]

Rihanna Tickets On Sale From Thursday

Thursday 3rd December will see fans of global superstar Rihanna given the chance to secure tickets to see her live on Wearside…

Sunderland’s Stadium of Light is set to host the Bajan star on the UK leg of her ANTI World Tour on Saturday 18th June 2016, and is the only stadium venue between Coventry and Edinburgh on the hotly anticipated tour.

Supporting Rihanna on the tour will be The Weeknd, whose album Beauty Behind The Madness reached number 1 in the UK charts, and American rapper Big Sean.

Fans can buy tickets in person from the Stadium of Light box office from 9am on Thursday morning. A limited allocation of General Admission (GA) tickets, affording pitch standing/unreserved Tier 1 seating is available.

Reserved seating tickets can only be purchased through approved ticket agents (listed below). Fans are advised that tickets cannot be purchased from SAFC’s telephone hotline or club website.

Fans who wish to queue to ensure they get their tickets can do so from 6am on Thursday, with the ticket office opening at 9am. No overnight queuing will be permitted. Fans who do not wish to purchase their tickets in person can do so via the official ticket websites and phone lines listed below.

SAFC’s commercial director, Gary Hutchinson, said: “Rihanna has created a real buzz surrounding this world tour and her new album as part of her online ANTI DiaRy campaign and we are thrilled to be a part of it. There has been unprecedented interested since the announcement, and we fully expect this concert to match Rihanna’s last visit to Sunderland and sell-out, so we urge fans to secure their tickets as soon as possible to avoid any disappointment.”

HOW TO BUY

Tickets go on sale Thursday 3rd December from 9am at the Stadium of Light ticket office and from approved ticket agents.

A pre-sale will be available for SAFC season card holders and official members on Wednesday 2nd December from 9am.

Stadium of Light sales information:

The Stadium of Light will offer General Admission (standing/Tier 1 unreserved seating) tickets only, priced at £55, and a limited number of Gold Circle tickets at £75. All sales are subject to a £4 booking fee per ticket (unless payment is made in cash). Tickets cannot be purchased from SAFC by telephone or online, tickets are available from the stadium’s box office to in-person purchasers only.

Please note £1 per ticket will be added onto the booking fee, and this fee will be donated to the Clara Lionel Foundation.

Ticket agents:

Golden Circle £75, general admission tickets (standing/Tier 1 unreserved seating) £55. Tier 2 reserved seats £60 and Tier 3 reserved seats £50/£60. All tickets are subject to a booking fee.

Please note that £1 per ticket will be added onto the booking fee, this fee will be donated to the Clara Lionel Foundation.

Online at www.livenation.com.

Online at www.ticketmaster.co.uk or 0844 8440444.

Wheelchair and special needs patrons:

Tickets for wheelchair and special needs patrons are available by telephone from SAFC, tel. 0191 551 5004 or ticket.office@safc.com.

Important information:

Young people aged 14 and under must be accompanied by an adult aged over 18, and no unaccompanied youngsters aged 14 or under will be permitted entry to the venue.

There is a limit of six tickets per purchaser in place.

Show Times:

External courtyards: 2pm
Doors: 4pm
Showtime: 6pm
Show ends: 11pm

Hospitality:

Demand for this show is expected to be exceptionally high. Visit www.safcconcerts.com, call 0871 911 1555, or email rihannahosp@safc.com to find out more information, or to make an expression of interest for our exciting new concert hospitality concept. Existing SAFC hospitality customers should contact the club immediately to reserve their package.

Hilton Garden Inn:

A new 141 bedroom Hilton Garden Inn will open adjacent to the Stadium of Light in April 2016. For more information, or to make a room reservation, call 0191 5515110 or email catherine.graham@hilton.com. Prompt booking advised.

All the latest news about Rihanna at the Stadium of Light will be available at the following locations:

www.safcconcerts.com
https://twitter.com/StadiumOfLight
https://www.facebook.com/stadiumoflight
http://instagram.com/sunderlandafcofficial
www.youtube.com/user/sunderlandafc


[cwa id=’test’]

It Isn’t Time For Panto At Durham Gala Theatre (Oh Yes It Is)

Pantomime fans are set to flock to Durham as Cinderella treads the boards at the city’s Gala Theatre

The show began a six week run on Thursday 26th November, with many of the near sixty performances already sold out or close to capacity.

Robin Byers, Durham County Council’s service manager for place and experience, said: “Thousands of people enjoyed the Gala’s 2014 production of Aladdin, and I’m sure audiences will be delighted with what we’ve got in store this year.

“It’s really exciting for us to have pantomime regulars Neil Armstrong and Paul Hartley writing, directing and starring in Cinderella, as they bring a wealth of panto experience to the job and know exactly what Durham audiences love.

“Having already seen over 25,000 people book to see this year’s panto, we now can’t wait to open the curtains and welcome families to the show.”

 

The duo’s version of the enchanting rags-to-riches story will see Neil play the villainous Dan Meanie and Paul take on the role of the hapless Buttons.

Neil Armstrong said: “We’ve had a ball writing this year’s script, and had plenty of laughs along the way.”

Paul Hartley said: “We’ve a few surprises lined-up as we’ve aimed to add a few new twists, whilst ensuring we incorporate everything we’ve loved about panto at Gala.”

The pair will be joined on stage by Hazel Pude as Cinderella, whose life will be made a misery by Ugly Sisters John Carter and Paul Dunn.

 

It will be down to Sally Collett as the Fairy Godmother to wave her magic wand and cast a spell that will help Cinders win the heart of the handsome Prince Charming, played by James Hedley.

Cinderella runs at the Gala Theatre until Sunday 3rd January 2016.


Tickets are priced from £8, and are still available by calling the Gala Box Office on 03000 266 600, or online at www.galadurham.co.uk.

For the best availability, audiences are advised to book for matinee performances as soon as possible.


[cwa id=’test’]

Film ReVue: Bridge Of Spies

Vue Cinema’s Olly Cobb shares his thoughts on Steven Spielberg’s new Cold War drama, starring Tom Hanks and Mark Rylance…

Based on true events, Bridge of Spies follows the trial of Rudolf Abel (Mark Rylance), a Soviet spy captured working in New York in 1957. Main protagonist James Donovan (Tom Hanks) is the American councillor tasked with defending Abel, but finds himself caught in the midst of the Cold War.

As is to be expected from ‘Triple-A’ blockbuster titles, Bridge of Spies delivers a believable and accurate window to the past. Scenes set on the Brooklyn streets (and later in East Berlin) are astonishing, and the 1950s attire and deco is wonderfully nostalgic.

Spielberg has tried (and succeeded) to place his characters into an immersive world, but it does – on occasion – only serve to distract from the moments when the script falls flat.

Spielberg’s actors, however, aren’t quite as perfect as his world. Tom Hanks delivers a convincing performance, and proves yet again that he’s an extremely competent actor, but perhaps past his best. Here we have yet another Spielberg movie in which Hanks’ character is the black sheep.

 

Thankfully, Rylance’s performance is extremely refreshing. When Abel is incarcerated, he is asked why he isn’t alarmed by the prospect of the death penalty, to which Abel simply replies “Would it help?”

The supporting cast is solid, but there is a lack of development seen in Donovan’s family and peers, especially his wife who appears frequently but is uninteresting. The American authorities in this movie (in particular the C.I.A) seem to be the standard impatient, patriotic men who fit the ‘Cold War Criteria’ nicely.

As for moments of intense drama, there’s a light spattering. The courtroom scenes are brief and tedious, but excitement kicks in as Hanks makes his way through East Berlin. It’s engaging and beautiful, and the climactic exchange on the Glienicke Bridge is a superb, well-crafted cinematic moment. It’s just a shame that there weren’t more scenes like this.

 

Suffice to say that Bridge of Spies is visually fantastic, and there are moments of excellence from its leading actors, but these days watching a Spielberg movie is a lot like going to a museum. You don’t necessarily go for the thrill, but for the experience. Bridge of Spies falls into the same trap as 2012’s Lincoln, in that a predictable plot hides behind beautiful set design and a star-studded cast.

We can forgive it for not being particularly rewarding, but one hopes for Spielberg’s return to making less ‘grown up’ movies. Nevertheless, the Academy will likely try to give Bridge of Spies an Oscar, to which I ask… would it help?


Our Bridge of Spies review was written by Vue Cinema’s Olly Cobb. For more information on the latest cinema releases, or to book tickets, visit www.myvue.com.

Click here to book tickets for Bridge of Spies.


[cwa id=’test’]

ADVERTISERS